
I first obtained Led Zeppelin II in 1988, when I joined the Columbia House tape club (yes, tape). What’s not to like? “Whole Lotta Love,” “Heartbreaker,” “Ramble On,” “What Is and What Should Never Be.” It’s a surefire classic, and, upon its release 40 years ago today, it launched Led Zeppelin into the stratosphere.
Sure, their first album was something special, but was it beginner’s luck, could they build on their early success? Led Zeppelin II answered those questions with authority.
In 2007, I wrote, “for me the second album has never been about ‘Whole Lotta Love.’” It’s still true! While the first album featured the “urban blues” that were de riguer in England at the time, the second album expands the band’s horizons. Yes, “Whole Lotta Love” was a rip off of Muddy Waters, and “The Lemon Song” and “Bring it On Home” are clearly from the blues, but the rest of the album provides a better direction of where the band would go.
Maybe it’s a stretch to say the acoustical touches on “Thank You” and “Ramble On” would presage the third album, but these semi-popish rockers have their connections to “Going to California,” “The Rain Song,” etc. There’s no denying that “Heartbreaker” is the direct antecedent of “The Immigrant Song”, “Black Dog,” “Custard Pie,” and “Nobody’s Fault But Mine.” It was straight ahead rock with all the pieces: A masculine, strutting vocal; Page’s gymnastics on the Gibson Les Paul (one of his defining solos, clearly); and the rock solid foundation laid down by John Bonham and John Paul Jones.
Led Zeppelin II isn’t my favorite Led Zeppelin album, although there was a time in the late ‘80s when it probably was. But, one can probably make a convincing case that Led Zeppelin II is the band’s most important album.



























